sexta-feira, 25 de março de 2011

Sound Design and Science Fiction




Contents

Acknowledgments
Introduction

Part I. T he Dawn of Sound Design
chapter 1. Sound Design: Origins and Influences
chapter 2. Music and Speculation in 2001: A Space Odyssey

Part II . Sound Montage
Chapter 3. The Convergence of Hollywood and New Wave Science Fiction
Chapter 4. Suggestive Fragments in THX 1138

Part III . Sound Designing
Chapter 5. From Sound Capture to Construction: Building the Lexicon of Sound Designs for Star Wars
Chapter 6. Surround Sound and Science Fiction

Part IV. Sound Effects
Chapter 7. Genre Splicing: Horror and Science Fiction
Chapter 8. Alien: Audio-biomechanics

Part V. Voice Design
Chapter 9. Blade Runners: A Crisis in Voicing Authority, Identity, and Spectacle

Part VI. Final Design
Chapter 10. Sound Mixing and Sound Design in Science Fiction Cinema: A Mixed Paradox
Chapter 11. Mixing Man and Machine in Terminator 2: Judgment Day

Part VII . Conclusion: A Sounding of the Future
Chapter 12. What is The Matrix? Sound Design in a Digital World
Appendix: Overview of the General Processes of Sound Production

Notes
Glossary
Bibliography
Filmography
Index




Sound Design and Science Fiction - William Whittington [ Download ]